The Tickling Master
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1) Do you want to tell us something about yourself and your art?

I’m The Tickling Master.  I’m very utilitarian in nature. I like to position myself as a mercenary of sorts. My job is to fulfil my client’s fantasies to the best of my ability. Writing is a bit of a gift I’ve been given (and, well, a skill I developed with a lot of effort, of course), so I like putting it to use for others.

Leggi tutto: Tickle Writer #6: Interview with The Tickling Master

2) What techniques do you use to write? Do you have a favorite artist that inspires you?

Writing, at least to me, is not so technique based as it is… developing a vibe, I suppose? It’s hard to describe – I can’t actually put into words what good writing vs bad writing looks like, but I sure as well can identify it! Hahahaha. As for inspirations – one-or-the-other is one fellow fetish writer that I’ve studied while developing my own style. And he’s a swell guy.

3) How much was the passion for writing born in you? And the one for the tickling?

I’ve been a storyteller of some sort since as long as I can remember. I grew up DMing forum roleplaying communities, writing fanfiction, etc. Tickling, similarly, has been with me since forever, as has dominance in general. I genuinely remember being like, 5 years old and finding the idea of a woman under my mercy hot as hell, even if I didn’t have the language to explain it at the time. I do not recall where the fetish “awakened”, but I blame the Digimon 4 scene.

4) What are the tickling scenarios that you prefer to write?

I love a good interrogation scene.

She froze, unsure how to proceed – and her mother use the opponent to strike with the weapon that had become oh so familiar to them both, fingers digging into Julia’s sides, sending her into a roaring frenzy of laughter.

“MOHOHOHOHMM NONONOHOHOHOHHO PLEHEHEHAHAHASSHEHEHEHE!!” Julia pleaded, feeling disgusted with herself at how easily her rebellious spirit cracked. How deep was the ordeal she had been forced to endure so far.

A Rebelling Southern Belle

5) What are the aspects of tickling that you intend to represent with your art? Example: the laughing, the wriggling, the relationship between tickler and ticklee?

I think in writing the most important thing is what’s going on internally, inside. Because writing can never beat visual arts in relaying the visual aspects of ticklish torment, you know? But I can certainly get inside the ticklee – or tickler’s! – head.

6) In your opinion, what makes tickling so interesting for fans of this phenomenon?

As a sadist, I enjoy it because it makes people suffer, and I think it’s what many enjoy about it. It’s also an unusual form of suffering. Lots of girls love to claim thy’re kinky-tough, but break down crying when they realize you plan to tickle thm – and that’s IMO a good part of the appeal. Simultaneously, it’s also something nice to introduce someone to the world of kink, since a lot of newcomers are way more okay with being tickled than, say, whipped.

The Tickling Master

7) What are your works of which you are most proud?

My current Patreon Exclusive stories – Harley Quinn’s Last Laugh and Mouths Screaming Shut – are absolutely the best work I’ve ever put forth. Out of my public gallery, I’ve always been incredibly proud of the Penitence of a Sister and Conversion of a Sister stories.

“NOHOHOHOHOHOHOHHOHOHOHO PLEHEHAHAHAHAHSHEHEHEH!!” she pleaded, and the crowd roared in support and enjoyment of the show. Oh, what a spectacular sight, the toned blonde twitching and laughing out of control. The sisters dynamic only made things hotter for those watching in lust.

Unfair Renfaire

8) Do you have any particular artistic goals for the future?

If I can make a consistent living out of my writing, I’d be quite happy. (Wanna help? Support me on patreon: patreon.com/ttm-writing )

9) Do you think AIs will end up enriching or impoverishing the art of tickling representations?

Ethical issues aside, I think anyone fighting against complete automation is fighting a losing battle. I understand the criticism of AI art; I’m also not *against* it. I think it will establish itself regardless, and the world will be what it is after it, like it happened when computers destroyed jobs that depended on typewriting skill and whatnot. Whatever happens, I know I’ll adapt and thrive, and I urge my fellow artists to adopt a similar posture.

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