Tickle Artists #18: Interview with SirJerryLone

1) Do you want to tell us something about yourself and your art?

Hi, I’m SirJerryLone. I prefer to keep my real life strictly private. As for my art, I don’t really consider my works properly ‘art’, rather a work of 3D assembly.

To create the scenes I use DAZ Studio, a freeware software that works with pre-made models. These models (humans, clothings, various items etc.) are available on the Net, both commercially and for free.

2) What techniques do you use to draw? Do you have a favorite artist that inspires you?

I first create the scenario, then put in it my models and give them the appropriate poses. There are tons of pre-made posing kits available, but they always need to be tweaked in order to be adapted to the specific scenes.

But first and foremost, I create the story in my head, I visualize the scenes in my mind, then I try to reproduce them in 3D.

There are lots of artists that are a source of inspiration to me, but if I have to pick one: Franco Saudelli.

3) How much was the passion for drawing born in you? And the one for the tickle?

As said, I can’t draw, at least in an acceptable way. I started making fakes of existing drawings, taken mostly from comics, but at the beginning of 2000 the first 3D user-friendly softwares allowed me to bypass my inability to draw and to finally give life to the stories I had in mind.

The tickling is not a specific fetish of mine, but I find it’s a natural companion of my real passion, that is the female barefoot bondage.

4) What are the tickling scenarios that you prefer to draw?

Maybe the torture to make someone talk, and the cruel prank between friends.

5) What are the aspects of tickling that you intend to represent with your art? Example: the laughing, the wriggling, the relationship between tickler and ticklee?

Absolutely laughing and wriggling, not forgetting the muffled laugh due to the gagged victim.

6) Online there are countless photos and videos of tickling sessions. In your opinion, what do illustrations offer more than images of real scenes?

To be honest, I don’t like photos depicting tickling very much. I prefer by far the illustrations, way more vivid and expressive. More artistic, so to speak.

Speaking of live-action, though, tickling videos are much better than static photos, as they provide both natural movement and sound, which to me it’s pivotal in tickling.

7) In your opinion, what makes tickling so interesting for fans of this phenomenon?

Honestly? I have no idea. Really.

8) What are your works of which you are most proud?

I don’t have one. I often depict tickling scenes in my stories and each time I try to improve myself in making them more and more convincing and entertaining.

9) Do you have any particular artistic goals for the future?

Not really. I’m an amateur and I’ll keep on creating stories as long as the inspiration supports me.

10) Do you think AIs will end up enriching or impoverishing the art of tickling representations?

AI has tremendous potential and it could be a huge enrichment in the process of art creation, if correctly used. What I’m seeing at the moment, though, is a mere tool to fill up galleries with thousands of soulless pictures in order to sell them in bulk.

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